Trapezoidal Nerikomi Tokoname Teapot - 260ml

Name: Trapezoidal Nerikomi Tokoname Teapot - 260ml
Brand: Tōsen Kiln
SKU: US-K61
Price: 112.00 USD
Availability: InStock

Tōsen Kiln

★★★★★ (1)

$112.00

This stunning marbled Tokoname-yaki kyusu (teapot) has a trapezoidal shape, and is made from white, black, and ivory clay kneaded together in the nerikomi (練り込み) technique. The cuts made to create this pot's faceted shape reveal even more layers and patterns of marbling.

The teapot's built-in ceramic sasame filter is perfect for naturally straining tea, with a wide shape for faster pouring and less clogging.

Made by Tosen Kiln (陶仙窯).

Tokoname-yaki (常滑焼) is a type of Japanese pottery that traditionally comes from Tokoname in Aichi Prefecture, Japan. The site of one of Japan’s Six Ancient Kilns, pottery has been made in Tokoname since the 12th century.

Today, Tokoname ware is known for its iconic brick-red clay called shudei. Famously used in teaware and bonsai pots, this clay’s vibrant colour comes from its rich iron content. Tea steeped in unglazed Tokoname teapots is said to have a mellower taste.

Illustrated map of Japan highlighting Tokoname, Aichi — the production region of Tokoname-yaki pottery

Nerikomi (練り込み) is a pottery technique in which multiple coloured clays are kneaded together to produce a stunning marbled effect. This technique is almost exclusively used on unglazed wares, allowing the full effect to be shown in the bare clay. Often, slices or cuts are made into the surface of the pot to reveal even more layering and marbling.

Similar techniques are sometimes called agateware for the resemblance to the layers in agate.

Tezumi — Japanese Kyusu - Green Nerikomi Tokoname-yaki Teapot - 250ml — side view showing the spout

Hida Hisanori (肥田寿典) is the second generation head of Tōsen and was born on December 25th, 1956. He inherited his father's specialty of nerikomi (練り込み), a highly sophisticated technique in which clays of different colours are layered, combined, kneaded, and shaped to form interesting and beautiful marbling patterns.

In more traditional forms, Hida-san's work reflects the subdued beauty and functional clarity typical of Tokoname ware. In his more contemporary pieces, he achieves delicate lines and a sense of lightness, while always retaining a distinct warmth.