Urushi-no-Ippo - Japanese Kintsugi Kit
Tsutsumi AsakichiThis high-grade Kintsugi Kit contains the essential tools and supplies required to repair broken or chipped wares in the traditional, food-safe, lacquer-based kintsugi technique.
This set includes:
- Paulownia Wood Storage Box
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Instructions
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Jou-Kiurushi 10g
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E-urushi 10g
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Tonoko (Clay soil) 15g x 1
- Dozuriko (white polishing powder) 20g
- Migakiko (cream polishing powder) 20g
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Japanese Gold Powder Maru-fun 0.1 g x 2 bags
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Wooden spatula(30mm Short) x 1
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1 roll of washi tape
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Waterproof sandpaper # 600 1/16 size x 2 sheets
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Waterproof sandpaper # 800 1/16 size x 4 sheets
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Waterproof sandpaper #1000 1/16 size ×2 sheet
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Fine brush
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Flat brush
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ke-bou (for dusting with gold)
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2 pairs of plastic gloves
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Glass board
- Metal spoon
You will also need: water, a cardboard box, and turpentine (available at most art stores).
Kintsugi (金継ぎ - gold joinery) is a ceramic repair technique in which chips, cracks, and broken pieces are repaired with urushi lacquer, which is either mixed or dusted with precious metal powder, typically gold or silver. Rather than hiding the damage, the use of precious metals highlights the flaws, which tells the story of the item’s wear and repair over time, expressing an acceptance of the transient and imperfect nature of being.
PLEASE NOTE: Raw urushi is an extreme skin irritant. Please use the provided gloves, follow all instructions carefully, and avoid letting the raw urushi touch skin. If urushi gets on your skin, wipe it off with vegetable oil, and wash it with soap. If you rinse with water first, removing it will be more challenging. The rash may not occur immediately but may happen a couple of days later. Tezumi is not liable for any adverse reactions caused by urushi.
This product is final sale and we do not accept returns or exchanges.
The first generation Asakichi Tsutsumi began refining lacquer as an apprentice in Kyoto in 1882 before opening his own independent workshop in 1909 during the most transformative and disruptive period of the Japanese lacquerware industry. With the dissolution of the samurai class in the 1870s, coupled with newly-imerpial Japan's rapid modernisation and westernisation, the traditional consumer base for lacquer was rapidly shrinking.
Today, Asakichi Tsutsumi Shoten is run by fourth generation lacquer specialist, Takuya Tsutsumi (共同代表) who has worked to revitalise domestic production of urushi lacquer rather than rely on imported raw lacquer. As a resulti of this initiative, Asakichi Tsutsumi provided most of the lacquer used to restore Nikko Toshogu Shrine in 2007 and has continue to find new ways to promote and integrate the traditional craft of lacquer making into various aspects of modern living.