Matsugawa Yōhen Kokudei Tokoname Teapot - 360ml

Name: Matsugawa Yōhen Kokudei Tokoname Teapot - 360ml
Brand: Gyokko
SKU: US-K110
Price: 112.00 USD
Availability: InStock

Gyokko

★★★★★ (4)

$112.00

This expertly crafted Tokoname-yaki kyusu (teapot) is made from Tokoname kokudei (黒泥) clay, which has the same properties as the iconic red shudei (朱泥) but is fired in reduction producing a deep black. Yōhen (窯変), which means "changed by the kiln", refers to the attractive gradient from bronze/brown to black across the pot caused by specific firing conditions. The body is decorated with a detailed pine bark textured that contrasts with the smooth spout and handle. Made using a small wheel, this texturing technique is called matsugawa (松皮 - pine bark) in Japanese.

Its built-in ceramic sasame filter is perfect for naturally straining tea, with a wide shape for faster pouring and less clogging.

This piece was made by the highly-respected Gyokko (玉光) Kiln, manned by the master potters of the Umehara family. As these are handmade pieces, there may be slight variations in the shape and colouration.

Tokoname-yaki (常滑焼) is a type of Japanese pottery that traditionally comes from Tokoname in Aichi Prefecture, Japan. The site of one of Japan’s Six Ancient Kilns, pottery has been made in Tokoname since the 12th century.

Today, Tokoname ware is known for its iconic brick-red clay called shudei. Famously used in teaware and bonsai pots, this clay’s vibrant colour comes from its rich iron content. Tea steeped in unglazed Tokoname teapots is said to have a mellower taste.

Yōhen is used to generally describe many kiln effects across various ceramics styles (including Tenmoku, where it is spelled 曜変). In Tokoname-ware, however, this term specifically refers to the attractive and often dramatic colour gradients and patches caused by certain firing conditions. One way this is achieved is by partially submerging the teapot in sawdust while firing. Yōhen pots typically have a gradient from a dark black or brown to shudei red, though some potters use this technique with ryokudei or koudei clays to produce unique colour patterns. As the exact pattern produced is highly dependent on the position of the piece in the kiln as well as the firing temperature, atmosphere, and fuel, producing a consistent result across many pieces takes a great amount of skill, patience, and practice.