Kaiyaki Celadon Splashed Tokoname Houhin - 120ml
Maekawa JunzōThis unique Tokoname-yaki houhin (handleless teapot) has a taller shape with a flaring collar and is made from a white stoneware. The striking blue and orange colours dancing across the piece like fire and ice come from the interplay of two decorative techniques. First is kaiyaki (貝焼 - shell firing) in which scallop shells are laid on the pot as it is fired, leaving the warm orange marks on the piece. On top of this Junzō has splashed his celadon glaze on the pot, resulting in the random stripes and dots of blue-green glaze.
Made in Japan. Ships from the United States.
Width: 9.7 cm (3.8 in) (Widest Point)
Height: 6.8 cm (2.7 in)
Capacity: 120 ml
Tokoname-yaki (常滑焼) is a type of Japanese pottery that traditionally comes from Tokoname in Aichi Prefecture, Japan. The site of one of Japan’s Six Ancient Kilns, pottery has been made in Tokoname since the 12th century.
Today, Tokoname ware is known for its iconic brick-red clay called shudei. Famously used in teaware and bonsai pots, this clay’s vibrant colour comes from its rich iron content. Tea steeped in unglazed Tokoname teapots is said to have a mellower taste.
Generally speaking, celadon (青磁 - seiji) refers to high-fired stoneware or porcelain wares covered with a pale, translucent, bluish-green-grey glaze. Typically, these glazes get their colour from small amounts of refined iron fired at high temperature in a reducing atmosphere.
The earliest proto-celadons were developed in the Shang Dynasty in China, but it was only in the Song Dynasty (960-1279) that celadon production became more popular and refined, with Ru, Yue, Yaozhou, Ge, Guan, and Longquan celadons defining the aesthetics of the era. Ranging from pure light blues, to crazed greens, the jade-like ceramic became the standard of the Song Imperial Court.
Celadon from the Longquan kilns (龍泉, pronounced ryūsen in Japanese), was produced in large quantities and exported outside of China. Efforts to mimic these wares in Goryeo Dynasty Korea resulted in a new and unique Korean style of celadon, often with delicate inlay.
In Japan, Longquan celadon was highly regarded, but rarely imitated at first, due to the ceramic technology required. Domestic celadon production only began in Japan in the 1600s.
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