Celadon Gyokurowan - 40ml
TouanThis small gyokurowan (teacup for gyokuro) has a classic blue celadon glaze that highlights the shinogi pattern carved into its surface.
Its small size makes it ideal for enjoying small, concentrated quantities of high-quality teas such as sencha and gyokuro. The bright blue celadon glaze enhances the tea's colour.
Made in Japan. Ships from the United States.
Width: 5.8 cm (2.3 in) (Widest Point)
Height: 4.9 cm (1.9 in)
Capacity: 40 ml
Kyō-yaki (京焼) is a type of Japanese pottery that traditionally comes from Kyoto, Japan. The pottery traditions of Kyoto date back to the 5th century and are varied in their styles. The styles most associated with modern kyō-yaki production began during the 1600s when Nonomura Ninsei perfected his overglaze technique, leading to the elegantly decorated, multi-coloured wares that Kyoto has come to be famous for.
Generally speaking, celadon (青磁 - seiji) refers to high-fired stoneware or porcelain wares covered with a pale, translucent, bluish-green-grey glaze. Typically, these glazes get their colour from small amounts of refined iron fired at high temperature in a reducing atmosphere.
The earliest proto-celadons were developed in the Shang Dynasty in China, but it was only in the Song Dynasty (960-1279) that celadon production became more popular and refined, with Ru, Yue, Yaozhou, Ge, Guan, and Longquan celadons defining the aesthetics of the era. Ranging from pure light blues, to crazed greens, the jade-like ceramic became the standard of the Song Imperial Court.
Celadon from the Longquan kilns (龍泉, pronounced ryūsen in Japanese), was produced in large quantities and exported outside of China. Efforts to mimic these wares in Goryeo Dynasty Korea resulted in a new and unique Korean style of celadon, often with delicate inlay.
In Japan, Longquan celadon was highly regarded, but rarely imitated at first, due to the ceramic technology required. Domestic celadon production only began in Japan in the 1600s.
Founded in 1922 at HIgashiyama Senyū-ji Temple, Touan has since become one of the largest Kyo-yaki and Kiyomizu-yaki producers, with over 20 artisans hand-crafting and painting each piece. In contrast to the standard overglaze painting technique that Kyoto ceramics are known for, Touan has developed an underglaze technique that produces the same vibrant colours and delicate lines, but is more durable due to the glaze being layered on top of the painting.
Touan is headed by fourth generation potter Dobuchi Yoshiaki (土渕善亜貴) who is known for his stunning developments in glazing, creating Touan's new signature crystal flower glaze. Additionally, he is one of only a handful of potters who has successfully replicated the elusive yōhen tenmoku glaze.
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